Related Paintings of unknow artist :. | Cats with fagelunge in mouth | Self-portrait with two pupils | cock 182 | Arab or Arabic people and life. Orientalism oil paintings 135 | St. Matthew s called |
Related Artists:
Aleksey Antropov
(Russian: 25 March [O.S. 14 March] 1716 - 23 June [O.S. 12 June] 1795) was a Russian barocco painter active primarily in St. Petersburg, where he was born and died. He also worked in Moscow and frescoed churches in Kiev. His preferred medium was oil, but he also painted miniatures and icons. Alexei was born to a family of government official working in Armory and in the Department of Building (kantselyatiya stroeniy). Since 1732 Alexei also working at the same department under his relative A. Matveyev, since 1739 he is a member of the painting team (zhivopisnaja komanda) of the Department under Ivan Vishnyakov. As the member of the team Alexei took part in fresoeing of Summer Palace, Winter Palace, Anichkov Palace and other buildings of Saint Petersburg. He also studied portrait art from the court painter Louis Caravaque of France. In 1749 Alexei received the rank of the Painter's apprentice (zhivopisniy podmasterye) and in the end of 1750ies the rank of the Master Painter (zhivopisniy master). In 1752-1755 he worked on the interiors of the St Andrew's Church of Kiev. He supervised the installation of the iconostasis, frescoed cupolas and walls. The most prominent of his frescoes in the church is the Last Supper in the altar. He started to paint portraits before his Kiev period. The earliest known portraits of his are portraits of Elizabeth of Russia. He did not met his model but based the paintings on the works of his teacher, Louis Caravaque. Unknown lady, 1760iesIn 1755-1757 he worked in Moscow frescoeing the Golovkin palace. Here he met prince Ivan Shuvalov who supported Antropov's works for the rest of his life. In 1757 - 1759 Antropov returned to Saint-Petersburg and learned art from court painter Pietro Rotari of Italy. Historians consider his portrait of A.M. Izmaylova to be a sort of a graduation work. The 1760ies were probably the most productive period of the artist. He painted many good portraits among the Portrait of Ataman Krasnoschekov, Portrait of Rumyantseva. Ivan Shuvalov planned to move him to Moscow, so Antropov could teach art the Moscow University. For some reason this plan was canceled and Antropov instead got the job at the Synod of the Russian Orthodox Church, there he supervised icon painting, decorating of the churches, drew the portraits of church hierarchs and supervised art students. Among his apprentices was Dmitry Levitzky, who actually lived in the house of his teacher. In 1762 Peter III of Russia became the new Emperor. Antropov soon became his favorite painter. For the six month of Peter III rule Antropov painted at least four of his portraits. After the palace revolt the new Emperess, Catherine II was of much lower opinion of the talents of Antropov. At that time the artists appreciated the soft combinations of colors and some sort of a fine flattering on the ceremonial portraits.
Adam Elsheimer
German Baroque Era Painter, 1578-1610 German painter, printmaker and draughtsman, active in Italy. His small paintings on copper established him after his brief life as the most singular and influential German artist to follow D?rer. Their grand conception in terms of monumental figures and poetic landscape and their meticulous, miniature-like execution were admired by Rubens and came to influence many 17th-century artists, including Rembrandt.
ALTDORFER, Albrecht
German Northern Renaissance Painter, ca.1480-1538 Albrecht Altdorfer (c. 1480 near Regensburg ?C 12 February 1538 in Regensburg) was a German painter, printmaker and architect of the Renaissance era, the leader of the Danube School in southern Germany, and a near-contemporary of Albrecht D??rer. He is best known as a significant pioneer of landscape in art. He most often painted religious scenes, but is mainly famous as the first frequent painter of pure landscape, and also compositions dominated by their landscape. Taking and developing the landscape style of Lucas Cranach the Elder, he shows the hilly landscape of the Danube valley with thick forests of drooping and crumbling firs and larches hung with moss, and often dramatic colouring from a rising or setting sun. His Landscape with footbridge (National Gallery, London) of 1518-20 is claimed to be the first pure landscape in oil. [1] He also made many fine finished drawings, mostly landscapes, in pen and watercolour. His best religious scenes are intense, sometimes verging on the expressionistic, and often depict moments of intimacy between Christ and his mother, or others. His most famous religious artwork is the The Legend of St. Sebastian and the Passion of Christ that decorated the altar in the St. Florian monastery in Linz, Austria. He often distorts perspective to subtle effect. His donor figures are often painted completely out of scale with the main scene, as in paintings of the previous centuries. He also painted some portraits; overall his painted oeuvre was not large.